Journal Publications


“Letting Myself Go,” forthcoming in Qu, Winter 2020

“Ball and Chain,” forthcoming in Quiddity

“I Don’t Know Anything About You,” “What Women Learn About Blood,” and “After Another Mass Shooting” forthcoming in Up the Staircase Quarterly, 2019

“Because a Sharp Girl Must Be a Changeling” forthcoming in Fairy Tale Review (digital), 2019

“Fatal Girl Archetype” and “When My Husband Asks” forthcoming in Saranac Review, Fall 2020

“Heroin Ghazal,” forthcoming in EcoTheo Review, 2019

“Jonah Complex” and “As Christ in the Wilderness” forthcoming in Psaltery and Lyre, 2019

“Passing It On,” “Protective Services, “Narcan Metamorphosis,” and “In the End, We Are All Daughters,” forthcoming in Waxwing, June 2020

“On Intimacy,” forthcoming in The Comstock Review, 2019

“Girlhood Schism” forthcoming in Anomaly Literary Journal, 2019

“Captivity Narrative,” Nimrod, 2019 (Print)

“Getting My Body Back,” The Evansville Review, 2019 (also a finalist for the 2018 Fairy Tale Review Award) (Print)

“Dynamics,” Stirring 20th Anniversary Issue, 2019

“Damselfly Nymph” and “Because I Think with You, Maybe I Can,” Lammergeier, Fall 2019 (Issue also includes an interview)

“Dead Wife” Nightjar Review, 2019

“Closer to Home,” Poets Reading the News, August 2019

“May We All Learn to See,” River Heron Review, 2019

“Like I Won’t Take Something from You,The Cincinnati Review MiCRo series, 2019

“Licentious,” Barren Magazine, 2019

“Pending Charges” and “Halcyon Days” (Print) Harpur Palate, issue 18.2

“Girlhood Landscape” and “Hillbilly Madonnas” (Print) Tar River Poetry, 2019

“Negative Mass,” Inscape 2019 (Print)

“Scheduled Induction” and “Origin Story,” Juke Joint Magazine, 2019

“Because the Little Mermaid Wanted Something Else, Too" and "Moth Muse: A Sapphic,” Heron Tree, 2019

"This Is Where the Irritation Starts," Western Humanities Review (Print)

“On Everything They Left Out,” Glass: A Journal of Poetry, May 2019

"Misconceptions of the Slenderman" in Mansion, Anthology from Dancing Girl Press

Purity Test,Barnhouse’s Ohio Loves You Feature, April 2019

"Adulting," Pretty Owl Poetry, April 2019

“A Study On Cracking” Rogue Agent, April 2019

"It Must Be So Exhausting;" and "What He Tears Down Cannot Be Rebuilt,” Mom Egg Review, April 2019

“Visitation Schedule,” Bone Bouquet, Winter 2019

“On the First Day of School,” Ovenbird Poetry, January 2019

Semipermeable,Anti-Heroin Chic, January 2019

“The First Time,” Noble/ Gas Quarterly, Winter 2018

"To Annie Von Behren: Shot in the Head Onstage—Cincinnati, 1882," Thimble Literary Magazine, Winter 2018

“Disaster Insurance or Suicide,” Zoetic Press’s Alphanumeric Podcast, and The NonBinary Review

"Blood from a Turnip." Cider Press Review, October 2018

“Lineage or Lullaby” and “Swamp Sparrow as Housewife," Santa Ana River Review, August 2018

"Witch's Mark," forthcoming in Phantom Drift, 2018

"Old Wives Tale,"  Ghost City Review, August 2018

"Deadbeat,"  Rivet, July 2018

"I Am That Farmer's Daughter,"  IDK Magazine, June 2018

"Housewife as Anastasia Romanov;" "Marriage Organisms;" "Housewife as Archetype;" and "First Anniversary Sonnet,"  Gasher Journal, June 2018

"Mass Shooting Fallout," Whale Road Review, May 2018

"Housewife as Rumpelstiltskin," SWWIM Everyday, April 2018

"If You Can't Love Me," Cheat River Review, April 2018

"Penelope Complex," Glass: A Journal of Poetry, March 2018

"A Waking Image, as Gretel," "Plucky," and "Venus Complex," isacoustic, February 2018

"How to Cope After a Tragedy," The Tishman Review, January 2018 (Finalist for the Edna St Vincent Millay Prize)

"Domestic Pantoum" and "Keep Silent and Let Me Speak,"  Midway Journal, January 2018 (Best of the Net Nomination)

"Investigating the Shudder," Stirring, January 2018

"Birth Story" Gulf Stream, December 2017

"Schismatic," Stirring Special Issue: Respond Loud/Soft judged by Chen Chen, 2017

“Vow Exchange,” Gigantic Sequins, Fall 2017

“Gertrude Complex,” Alyss April 2017

“Postpartum I” and “Postpartum III” Lingerpost , 2017

“Sometimes, the Right Light”  IDK Magazine , Winter, 2016

“Psyche Complex” Timeless Tales, May 2016

“Self Inflicted Gunshot Wound…” and “Try This Stillness” Reservoir, January 2016

“I Have No Love for Images” The Wide Shore, January 2016

“Shared Parental Agreement” Muddy River Poetry Review, Fall 2015

“After the Burial” The Pittsburgh Poetry Review, November 2015

“Autoimmune Anemia: Transfusion” Fox Cry Review, 2014

“Imagine this Bed is its Own Island,” “Full Grown Mammoth Under the Ice in Suberia,” and “It’s the Only Thing We Have to Wear,” For a Better World (Anthology), 2014

“Coffin” and “Explaining Origins and Ending” Arsenic Lobster, Winter 2014. Pushcart Nomination.

“A Mark on the World” and “I Imagine What That Story Was Like”: Pacific Review “Strangely Ever After” special 2014 edition

“Reborn in the Body as Anne Askew” Rappahannock Review, issue 1. Interview here.

The Rose Red Review, Fall 2013 (Halloween themed)

Illuminations, Issue 29 (Greek themed)

The San Pedro River Review , Fall, 2013

Vine Leaves, Issue 7: Poem “Imaginary Bodies” included in The Best of Vine Leaves Anthology, 2013

The Yellow Medicine Review, Summer 2013

A Few Good Words. The Cincinnati Writers Project Anthology

  • Feedback on my work from an Amazon reviewer Julie G: “You may want to consider as you start to read, this book is a bit more edgy than one expects from an anthology of poets and writers. You may be surprised. It is a lot to plow through at one sitting, so I have been reading it bit by bit. I take it places. Right now I am haunted by a poem about a grandfather who shoots himself. The poet’s eye sees us as fishes, or birds, maybe. As if the air and the water were one in the same, clearly saying we cannot live one without the other, or find the answer as to how we can live after such a loss. Is the absent Father the answer? I am still reading.”

The Alarmist (UK)

The Delinquent (UK)

The Yes Factory